{"id":15961,"date":"2023-12-19T16:41:09","date_gmt":"2023-12-19T16:41:09","guid":{"rendered":"https:\/\/www.luisadelantadovlc.com\/?page_id=15961"},"modified":"2025-05-20T11:44:52","modified_gmt":"2025-05-20T09:44:52","slug":"aqui-no-hay-nada-que-mirar-irma-alvarez-laviada-en","status":"publish","type":"la-viewing-room","link":"https:\/\/luisadelantadovlc.com\/en\/viewing-room\/aqui-no-hay-nada-que-mirar-irma-alvarez-laviada-en\/","title":{"rendered":"Aqu\u00ed no hay nada que mirar"},"content":{"rendered":"\n<p>Irma \u00c1lvarez-Laviada approaches this work with the desire to decipher and show the bowels of the Fine Arts Museum of Asturias. To this end, she proposes an intellectual and formally essential performance \u2015 without concessions, invested with great plastic beauty.<br\/>From that point, and throughout the conceptual development of the work, Irma evolves with the possibility of transferring to the exhibition space the effect \u2015 real perception \u2015 of the link between the volumetric occupation of the art pieces and their container \u2015 deposits \u2015. To this end, we seek to experience the overwhelming presence of the Museum\u2019s neuralgic substance \u2015 its raison d\u2019\u00eatre \u2015 in the deposits of the essential organs that drive its internal circulation. We turn the immersive experience in the exhibition into a sensitive appreciation of its anonymous volume as a container of ART. The museum \u2018entities\u2019 are and stage its central core of existence, its heart \u2015 a heart bigger than the box. They are part of what runs through its veins, of what organises the entire system that gives it life. The hidden places \u2015 behind enigmatic gates \u2015 are its natural habitat, outlining in IT the image that transmits the artistic legacy of the muses.<br\/>The elements involved in the inner life of the Museum develop relational structures embarked on the search for \u2018being\u2019 something different. When they are exported from their inner refuge and they finally appear contextualised in the different scenes that are recreated, they share circulation and spaces, not only with people who dwell them, but also with those who visit it. Thus, they change their status as their temporal location progresses, differentiating \u2015 according to the stimuli received \u2015 the proposal to be shown. They present the disrupted inside\/outside reality by composing an enveloping, transverse argument, by playing in the mind of each person and establishing the guidelines for a different, extremely intimate chronicle.<br\/> <br\/>_Fragment of the text by Laura Guti\u00e9rrez         <\/p>\n","protected":false},"featured_media":15973,"template":"","class_list":["post-15961","la-viewing-room","type-la-viewing-room","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/luisadelantadovlc.com\/en\/wp-json\/wp\/v2\/la-viewing-room\/15961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luisadelantadovlc.com\/en\/wp-json\/wp\/v2\/la-viewing-room"}],"about":[{"href":"https:\/\/luisadelantadovlc.com\/en\/wp-json\/wp\/v2\/types\/la-viewing-room"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/luisadelantadovlc.com\/en\/wp-json\/wp\/v2\/media\/15973"}],"wp:attachment":[{"href":"https:\/\/luisadelantadovlc.com\/en\/wp-json\/wp\/v2\/media?parent=15961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}