[av_textblock size=” font_color=” color=”] Territory and refuge. Rosana Antolí, Lucía C. Pino, José Luis Cremades, Nuria Fuster, David Lerones, Marta Negre, M Reme Silvestre, Anna Talens, Nelo Vinuesa
[/av_textblock]
Territory and refuge, 2020. Room 1. General viewJosé Luis Cremades. Still Life, 2020. Oil on canvas. 200 x 130 cm / each oneJosé Luis Cremades. Still Life (Detail), 2020. Oil on canvas. 200 x 130 cmTerritorio y refugio, 2020. Room 1. General viewRosana Antolí. A Tube Under The Sea, 2020. Resin, methacrylate, copper, brass, sand, Mediterranean stones. 113 x 120 x 300 cmRosana Antolí. A Tube Under The Sea (Detail), 2020. Resin, methacrylate, copper, brass, sand, Mediterranean stones. 113 x 120 x 300 cmRosana Antolí. Symbiosis No10. Echo of Two Fingers Stopping my Breathing Nose & Loop of a Wish Me Luck, 2019. Chalk, acrylic paint and graphite on Fabriano botanical paper. 56 x 56 cmTerritorio y refugio, 2020. Room 2. General viewNuria Fuster. Eclipse Series, 2018. Ultrachrome print on 310 gsm Ilford Galerie Smooth Pearl photographic paper. Mounted on 2mm dibondNuria Fuster. Eclipse Series #01, 2018. Ultrachrome print on 310 gsm Ilford Galerie Smooth Pearl photographic paper. Mounted on 2mm dibond. 61.5 x 91.5 cm. Ed. 3Nuria Fuster. Eclipse Series #11, 2018. Ultrachrome print on 310 gsm Ilford Galerie Smooth Pearl photographic paper. Mounted on 2mm dibond. 61 x 93.5 cm. Ed. 3Nuria Fuster. Eclipse Series#04, 2018. Ultrachrome print on 310 gsm Ilford Galerie Smooth Pearl photographic paper. Mounted on 2mm dibond. 61.5 x 91.5 cm. Ed. 3Nuria Fuster. Serie Eclipse, 2018. Ultrachrome print on 310 gsm Ilford Galerie Smooth Pearl photographic paper. Mounted on 2mm dibondAnna Talens. Cuadro negro con plumas negras, 2007. Acrylic on canvas. 170 x 170 cmTerritorio y refugio, 2020. Room 2. General view
Anna Talens. Cuadro rosa con plumas rosas, 2008. Acrylic on canvas. 81 x 100 cm[/caption]
Anna Talens. Cuadro rosa con plumas rosas (Detail), 2008. Acrylic on canvas. 81 x 100 cmlTerritorio y refugio, 2020. Room 3. General roomLucía C. Pino. Irdial, 2015. Mirrored glass, chains, belts, clay, synthetic hairand treated fabric. 105 x 101.5 x 14 cm | 8 x 120 x 29 cmLucía C. Pino. Irdial, 2015. Mirrored glass, chains, belts, clay, synthetic hairand treated fabric. 105 x 101,5 x 14 cm | 8 x 120 x 29 cmLucía C. Pino. Irdial (Detail), 2015. Mirrored glass, chains, belts, clay, synthetic hairand treated fabric. 105 x 101.5 x 14 cm | 8 x 120 x 29 cmTerritorio y refugio, 2020. Room 3. General viewNelo Vinuesa. Camp Kit 6, 2020. Oil on paper. 42 x 29.7 cmNelo Vinuesa. Camp Kit 6 (Detail), 2020. Oil on paper. 42 x 29.7 cmTerritorio y refugio, 2020. Room 3. General viewNelo Vinuesa. Camp Kit 15 (The Penultimate Day of Pompeii), 2020. Oil on paper. 160 x 120 cmJosé Luis Cremades. Still Life, 2020. Oil on canvas. 200 x 130 cmTerritorio y refugio, 2020. Room 4. General viewMarta Negre. Egomaniac Digital Customize, 2020. 4K Digital Video, 16: 9, Color, Sound, English subtitles. 2’5″Marta Negre. Egomaniac Digital Customize, 2020. 4K Digital Video, 16: 9, Color, Sound, English subtitles. 2’5″Marta Negre. Egomaniac Digital Customize, 2020. 4K Digital Video, 16: 9, Color, Sound, English subtitles. 2’5″Territorio y refugio, 2020. Room 5. General viewLucia C. Pino. N. 6, 2019. Iron. 115 x 45 x 52 cmDavid Lerones. Flor silvestre sobre piel, 2020. Photographic print on paper mounted on white frame. 47 x 30 cm / Ed.5Territorio y refugio, 2020. Room 5. General viewDavid Lerones. Flor silvestre sobre monitor 02, 2020. Photographic print on paper mounted on white frame. 180 x 120 cm / Ed. 5Lucia C. Pino N. 7, 2019. Iron. 92 x 41 x 24 cmTerritorio y refugio, 2020. Room 5. General viewLucia C. Pino N. 7, 2019. Iron. 92 x 41 x 24 cm / N. 6, 2019. Iron. 115 x 45 x 52 cmTerritorio y refugio, 2020. Room 5. General viewM Reme Silvestre. ¿Sábes cómo disponer de un cuerpo? II, 2020. Therapeutic ultrasound gel on glass. Site specific installationM Reme Silvestre. ¿Sábes cómo disponer de un cuerpo? II (Detail), 2020. Therapeutic ultrasound gel on glass. Site specific installationM Reme Silvestre. ¿Sábes cómo disponer de un cuerpo? II, 2020. Therapeutic ultrasound gel on glass. Site specific installationM Reme Silvestre. ¿Sábes cómo disponer de un cuerpo? II (Detalle), 2020. ¿Sábes cómo disponer de un cuerpo? II, 2020. Therapeutic ultrasound gel on glass. Site specific installation
What does Aufklärung mean today? What has Aufklärung got to do with Valencian territory? How can we create an exhibition of artistic projects by different contemporary artists within the context of the Region of Valencia, which transmits the idea of refuge from the omnipotence of fear, invoking certain ideas of “magic” that do not lead to a diminishment of the human being to Kantian Unmündigkeit, understanding such to be “non-autonomous individuals”?
In the current dissolution of beings, which at the same time is connected to the querelle in the Middle Age, a multiple, complex being appears that contradicts itself and still invokes that indelible “To be or not to be, that is the question…” as its slogan, striking us with the patent social tension it upholds and rules through the dominant ideology of the “knowledge society”, where nature is (still) the “evil itself according to progress and where each Aufklärung appears to create a counter-Aufklärung, i.e. criticism of knowledge.
But knowledge and magic can share the same territory and refuge, as can be seen once again at the Luis Adelantado Gallery, this time playing at home. Playing with objects of matter, as words of matter. Playing with their transference. Is “transference” not the term that best defines contemporaneity?
Why…? Because sensations are words and words are matter. And because poetry in prose that materialises through these young artists prefers objects, emotions and transformations to speak more and better about the post-landscape comprising our territory. And also because we need a refuge that defines a specific time in the history of contemporary Valencian art.
—César Novella
Para ofrecer las mejores experiencias, utilizamos tecnologías como las cookies para almacenar y/o acceder a la información del dispositivo. El consentimiento de estas tecnologías nos permitirá procesar datos como el comportamiento de navegación o las identificaciones únicas en este sitio. No consentir o retirar el consentimiento, puede afectar negativamente a ciertas características y funciones.
Funcional
Always active
El almacenamiento o acceso técnico es estrictamente necesario para el propósito legítimo de permitir el uso de un servicio específico explícitamente solicitado por el abonado o usuario, o con el único propósito de llevar a cabo la transmisión de una comunicación a través de una red de comunicaciones electrónicas.
Preferencias
El almacenamiento o acceso técnico es necesario para la finalidad legítima de almacenar preferencias no solicitadas por el abonado o usuario.
Estadísticas
El almacenamiento o acceso técnico que es utilizado exclusivamente con fines estadísticos.El almacenamiento o acceso técnico que se utiliza exclusivamente con fines estadísticos anónimos. Sin un requerimiento, el cumplimiento voluntario por parte de tu proveedor de servicios de Internet, o los registros adicionales de un tercero, la información almacenada o recuperada sólo para este propósito no se puede utilizar para identificarte.
Marketing
El almacenamiento o acceso técnico es necesario para crear perfiles de usuario para enviar publicidad, o para rastrear al usuario en una web o en varias web con fines de marketing similares.
Anna Talens. Cuadro rosa con plumas rosas, 2008. Acrylic on canvas. 81 x 100 cm[/caption]
