Folkert De Jong

Folkert De Jong

Immortal Longings (The Burning of Roger Williamson, Zandvoort Formula One 1973), 2016 — Folkert De Jong — Espuma de poliuretano, metal, madera, carbono, spray, vidrio acrílico — Galería Luis

Immortal Longings (The Burning of Roger Williamson, Zandvoort Formula One 1973), 2016

Polyurethane foam, metal, wood, carbon, spray, acrylic glass. 150 x 180 x 60 cm

Night Portal #3, 2015 — Folkert De Jong — Poliuretano, pintura en aerosol, madera contrachapada, metal — Galería Luis Adelantado Valencia

Night Portal #3, 2015

Polyurethane, spray paint, plywood, metal. 200 x 150 x 160 cm Photograph: Gert Jan van Rooij

The Balance, 2010 — Folkert De Jong — Espumas de polietileno y poliuretano. Bienal de Sidney, Australia — Galería Luis Adelantado Valencia

The Balance, 2010

Polyethylene and polyurethane foam. 235 x 350 x 700 cm. Biennale of Sydney, Australia

FEMEN (Detail), 2017 — Folkert De Jong — Poliuretano pigmentado, madera contrachapada, metal. Luis Adelantado México, México

FEMEN (Detail), 2017

Pigmentedpolyurethane, plywood, metal. 188 x 120 x 60 cm. Luis Adelantado Mexico, Mexico

Clean Hands, 2007 — Folkert De Jong — Espumas de polietileno y poliuretano, madera — Galería Luis Adelantado Valencia

Clean Hands, 2007

Espumas de polyethylene y polyurethane, madera

The Boxer, 2019 — Folkert De Jong — Poliuretano pigmentado, madera contrachapada, metal, goma de silicona — Galería Luis Adelantado Valencia

The Boxer, 2019

Pigmented polyurethane, plywood, metal, silicone rubber. 190 x 50 x 65 cm

Seht der Mensch; The Shooting Lesson (and details), 2007 — Folkert De Jong — Medidas variables. aproximadamente — Galería Luis Adelantado Valencia

Seht der Mensch; The Shooting Lesson (and details), 2007

Variable dimensions. 800 x 800 x 300 cm approximately

The New Deal, 2012 — Folkert De Jong — Espumas de polietileno y poliuretano, palé — Galería Luis Adelantado Valencia

The New Deal, 2012

Espumas de polyethylene y polyurethane, palé

The Balance, 2010 — Folkert De Jong — Vista general. Luis Adelantado México. México

The Balance, 2010

General view. Luis Adelantado México. México

The Primacy of Matter Over Thought, 2013 — Folkert De Jong — Espuma de poliuretano pigmentada, metal, pintura en aerosol, madera, goma, espuma de polietileno y vidrio acrílico — Galería Luis

The Primacy of Matter Over Thought, 2013

Pigmented polyurethane foam, metal, spray paint, wood, rubber, polyethylene foam and acrylic glass.

Weird Science, 2017 — Folkert De Jong — Medidas variables. GEM, The Hague — Galería Luis Adelantado Valencia

Weird Science, 2017

Medidas variables. GEM, The Hague

Bio

Folkert de Jong (Egmond aan Zee, 1972) is one of the most internationally renowned Dutch artists of his generation. His work reflects a multitude of references to conflict, ideology and even human frailty. His monumental sculptural installations represent the grotesque of the human comedy, associated with all that is distorted, fantastic or strange. Cultural symbols and (historical) figures are transformed into disturbing scenes through which the artist reinvents existing narratives.

His awards include the Den Haag Sculpture Orange Award in Amsterdam and the Prix de Rome in sculpture. He has had exhibitions in such important centres as MUDAM (Luxembourg), Stedelijk Museum (Amsterdam), Mackintosh Museum (Glasgow), Portland Art Museum (USA). His work also forms part of collections such as Rattan Chadha, Deste Foundation (Athens), Groninger Museum (Groningen), Rabo Art Collection (Utrecht), Saatchi Collection (London), Museum of Contemporary Art (Los Angeles) and Margulies Art Collection at the Warehouse (Miami), among others.

CV

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