Laura Palau

Laura Palau

Flexió Xilema, 2020

View of the exhibition La forma solida del paesaggio, 2024. AlbumArte, Roma.

El nogal de Seno, 2021

Medium format digital photography. Ultrachrome print on Hahnemühle Matt Fibre 200 gsm photographic paper, (Smooth, 100% Alpha-Cellulose). Framed in the wood of the photographed walnut tree.

Cadira – escala, 2020

Seno walnut wood. 40 x 41 x 90 cm.

Help Yourself, 2024

Soap made from olive oil extracted from “La Ciudad”. 123 x 10 x 14 cm. Three pieces of soap.

Observatorio n.5, 2018

Pinhole photography. Ultrachrome print on matt paper, 5 mm kapa mount , framed with manzonia wood. 132 x 100 cm.

Observatorio, 2024

Four pinhole photographs. Ultrachrome print on matt paper, 5 mm kapa mount , framed with manzonia wood. 194 x 124cm (each). Views Pam! Pam! 18. Atarazanas, Valencia.

Indish Monument’s thumb, 2020

Ultrachrome print on Hahnemühle Matt Fibre 200 gsm photographic paper, (Smooth, 100% Alpha-Cellulose). Framed with Iroko wood, from a dry tree, cut and transported personally.
44 x 29 cm.

Unspoken words, 2021

Medium format digital photography. Ultrachrome digital print on Hahnemühle Matt Fibre 200 gsm photographic paper . 44 x 35 cm.

Acción Glass-House & Soft Stones, 2024

Action views Glass-House & Soft Stones, durante el Simposium Making the World Less Than More Real. Kask, Gante.

Casa, 2022

Medium format digital photography. Ultrachrome digital print on Hahnemühle Matt Fibre 200 gsm photographic paper . 44 x 35 cm.

Urano. Terra d’Esguard, 2024

Analogue frame in 16mm. Ultrachrome digital print on Hahnemühle Matt Fibre 200 gsm photographic paper . 54 x 45 cm.

Mom, you with the left, I with the right, 2022

Still from ‘Mom, You With The Left, I With The Right’, 2021. 2K (2048 × 1536px), 16mm, sin sonido, 2’ 46”.

Terra, 2022

Medium format digital photography. Ultrachrome digital print on Hahnemühle Matt Fibre 200 gsm photographic paper . 44 x 35 cm.

Bio

Laura Palau (1993) lives and works between Benlloc (Spain), where she maintains her studio and cultivates her fields, and Ghent (Belgium), where she develops a film research on grafting and pruning in the academic context of KASK.

He studied Fine Arts in Valencia, Spain (UPV), where he also completed a Master in Art Production. Subsequently, he furthered his training in international programmes, including the Master Photography & Society in The Hague, The Netherlands. In addition, she has participated in seminars and workshops led by artists such as Joan Fontcuberta, Susan Meiselas, Laia Abril and Isidoro Valcárcel Medina, among others.

Her practice, based on storytelling across disciplines, reacts to climate and social emergencies, turning the audiences and communities she collaborates with into participatory laboratories. Drawing on feminist perspectives and the rural knowledge in which she grew up, her work interweaves rituals of care, seeking to reconcile dichotomies such as human vs. nature, rural vs. urban and local vs. global. Through this approach, she challenges binarisms established by Western academia.

Since 2017, his work has been exhibited nationally and internationally in venues such as PhotoEspaña (Madrid, ES), GlogauAIR (Berlin, DE), PALMA Festival (Caen, FR), KunstpodiumT and Dupho (Tilburg, Amsterdam, NL), Helsinki Photomedia (Helsinki, FI), IVAM and CCCC (Valencia, ES), Torino PhotoFestival and AlbumArte (Turin, Rome, IT), EACC, Festival Imaginaria, Fundación Caja Castellón and Espacio Menador (Castellón, ES), KASK (Ghent, BE), Las Cigarreras (Alicante, ES), among others.

In recent years, she has been awarded the Alfons Roig Prize (2024), the La Caixa Fellowships Abroad (2023) and the Dávalos Fletcher Visual Arts Scholarship (2023). She was also recognised as one of the most important photographers in the world. 30 Women Under 30 by ARTPIL (2023). She has also been a finalist for the Princess of Girona Award (2025), the Mislata Miquel Navarro Biennial Award (2024), the Senyera Award (2023) and the Enaire Award (2019), among others.

He is currently working on a solo exhibition at the Museo del Centro del Carmen (Valencia), which will include his 16mm film Les tretzenades, a story about the origin and practice of weather forecasting in the Valencian region. The exhibition will be complemented by other works that explore the emotional tensions of being rooted to the land.

CV

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