La part maudite

Group Show

La part maudite

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. The Accursed Stare, 2016/2017. Digital animation, 5.1 surround sound (still). 35′

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. The Accursed Stare, 2016/2017. Digital animation, 5.1 surround sound. 35′.

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. Room 3. General view

La part maudite, 2018

David Ferrando Giraut. Vortex series, 2015. Light box, lacquered MDF board, LED lights. 130 x 100 x 10 cm

La part maudite, 2018

David Ferrando Giraut.Great Magnetism (Detail), 2015.Light box, lacquered MDF board, LED lights, sunglasses. 130 x 100 x 10 cm

La part maudite, 2018

David Ferrando Giraut.You Pass Through Walls (Detail), 2015. light box, lacquered MDF lacado, LED light, absenta La Fée Vert. 130 x 100 x 10 cm

La part maudite, 2018

David Ferrando Giraut. Room 4. General view

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. V3-Ofrenda (El manejo del agua), 2015. Light box, lacquered MDF board, LED lights, ceramic pots, etc.. 130 x 100 x 10 cm

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. V3-Ofrenda ( Water management ), 2015. (Detail). Light box, lacquered MDF board, LED lights. 130 x 100 x 10 cm

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. Room 4. General view

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. Second Nature, 2014. (Still) Digital animation and sound. 6′ 34”. Sound collaboration with Ryoko Akama

david-ferrando-giraut

La part maudite, 2018

David Ferrando Giraut. The Sea and The Waves, 2013. Sound sculpture with record player. 158 x 119 x 42 cm

david-ferrando-giraut

David Ferrando Giraut. The Sea and The Waves, 2013. Escultura sonora con tocadiscos. 158 x 119 x 42 cm

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In David Ferrando Giraut’s first exhibition at Luis Adelantado—entitled La part maudite—, the artist resumes his research into the relationship between technological development and history. Throughout his career, he has brought to light the possible tensions between science and nature and how they materialise in our visual culture.
La part maudite refers to the title of the book published in 1949 by French anthropologist George Bataille. In it he argues that the economy is based on the squandering of goods rather than in their production. This wastage leads to the excessive exploitation of natural resources and thus their depletion, while implementing alienating working conditions. Therefore, that cursed part he refers to is the human tendency towards the squandering and excess whose ultimate aim is self-destruction.
The excessive extraction of resources has been applied to the production of portrayals of power. If we situate ourselves in the current scenario, in spite of the apparent immateriality of pictures in the digital age, their production is also carried out in a parasitic way, since they are generated by technological means which have been manufactured from the exploitation of natural resources. This is the setting which David Ferrando Giraut examines: immaterial waste and its environmental impact as a result of the symbiosis generated between nature and science.

About the artist

David Ferrando Giraut (Negreira, A Coruña, 1978) graduated with a degree in Fine Arts from the Valencia Fine Arts University and a Masters in Fine Arts from Goldsmiths College, London. He has been awarded grants including the Second Production Grant LABoral / DKV Seguros – Álvarez Margaride (2014) and the Bursary for Videoart creation, BBVA Foundation (2014). He has exhibited in Notas para una genealogía de la imagen mineral, Centro Párraga (2016), Vórtice; ARTBO Proyectos, Bogotá (2015) and has also participated in group exhibitions such as Some Astronomers Kept a Distance, Salón (2016).

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