Suspended between the oneiric and the everyday, the work of Concha Ybarra (Seville, 1957) emerges through an organic yet measured hand, where chromatic use and forms that move between the abstract and the figurative lend it a distinctly lyrical rhythm. Latent within her paintings and ceramics, a serene and expressive vibration evokes the atavistic — a ritual in which memory and an implacable present converge. Thus, Las estrellas callan, la luna sueña gathers a series of scenes that seem to arise from the threshold between dream and wakefulness, yet never feel foreign to the eyes that behold them.
_Guillermo Amaya Brenes